Paras Sahani

I don’t really know when this started.
But at some point, holding a camera felt easier than saying things out loud.

I’ve shot artists losing themselves on stage, crowds breaking open, lights cutting through people like they were part of the music.
Sometimes I press record and forget to breathe. Sometimes I don’t press anything and just watch.

It’s not about the gear. It’s not about the cleanest shot.
It’s about getting close enough to feel it — and still being sharp enough to catch it before it disappears.

This is what I do.
It’s messy. It’s moving. It’s mine.